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The Secret To Unlocking The Frets on the Neck Of Your Guitar Using A Quick Theory Lesson
If you're familiar with the CAGED system on the guitar or you have some basic musical theory knowledge then chances are this article won't be overly interesting to you.
However if you're struggling to remember which barre chords are where and you haven't noticed that the same chords shapes we use in the open first position (example A and E) are used as barre chords in other places on the neck pay close attention because what I'm going to share with you in this lesson is going to blow your mind.
I'm going to assume in this article that you know how to play an E shape and an A shape barre chord. If that doesn't make sense to you then you may want to review the basics of barre chords and maybe even consider getting a DVD guitar lesson that covers basic guitar chords.
The Theory Behind Note Spacing
There is a musical alphabet which you may or may not be familiar with. The alphabet consists of the letters: A, B, C, D, E, F and G. There is of course a tone associated with each and every letter some are higher then others and because of this pitch we can assign a musical type of space between two tones one of which is higher then the other.
The spacing that exists between notes is measured in terms of whole steps and half steps or tones. On the guitar neck a whole step is two frets, while a half step is only one fret. Using this measurement of guitar frets we can explain more about how this spacing works.
For now lets not consider anything about sharps or flats and assume there are only the seven notes available to us (A through G). Between every note there is a whole step (that's two frets) except for two places. The first is between B and C and the second is between E and F. Those exceptions only have a half step separating them.
Here's an example of what I Mean. If we're playing the first fret of the low E string or 6th string that is an F note. If we go up two frets to the 3rd fret we're not playing a G note because we've moved up one whole step or two frets. If we move up another two frets we'll be playing an A note on the 5th fret of the E string. Another two frets and we have a B note at the 7th and here's one of the exceptions, we move up only one fret to the 8th Fret to play a C note. Remember there's only half a step between B and C.
Applying this to Barre Chords
Ok let's take this new found knowledge and apply it to barre chords on your guitar. I'll assume that you know an E shape chord played as a barre chord on the first fret is an F chord. Starting with that F chord how can we get to a G chord knowing what we just learned?So let's find the G chord using the same shape. Well there's a whole step between an F and a G which means two frets so if we slide up from the first fret to the third fret we'll be playing a G chord keeping the exact same barre chord shape.
How about another example, from the 3rd Fret G chord we can move up another two frets and what comes after G? An A chord at the 5th fret is the correct answer.
I hope you can see how this pattern is working and how you can apply it to notes and chord shapes around the neck.
So how does this help you? Well a couple of ways. For starters you can find other chords on the neck using the same barre chord shape so long as you know at least the location of one other chord.
The second benefit is that you'll be able to find the notes on the fret board starting from any one particular note as well.
While the information on its own doesn't do much if you learn it and practice it on the guitar neck it can open up a whole new world for you of what notes and chords are where on each string and position on the guitar neck.
Quite literally this concept changed my understanding of the guitar neck and my playing ability over night. It was the best guitar lesson I ever learned when I was first starting out and I use this same knowledge when I'm jamming alone or playing with friends, it will stick with you for good.
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